Contemporary Classics June 9, 2020 Contemporary Violin, Clarinet and Piano Trios

This week on Contemporary Classics we are featuring several examples of Violin, Clarinet and Piano Trios from the 20th and 21st Centuries


Octavio Vazquez: Trio for Violin, Clarinet and Piano “Zeitgeist”

Octavio Vazquez is a Spanish composer who now teaches at the Nazareth College of Rochester, NY, where he directs the composition program. The Trio for Violin, Clarinet and Piano has two movements moderato and allegro.

Commissioned by the Verdehr Trio with support from Michigan State University, for their 40th Anniversary Concert Premiered on June 25, 2013, Cobb Great Hall at the Wharton Center, Michigan State University College of Music, by the Verdehr Trio

Commenting on this piece, Octavio Vazquez says that our view of our life is the accumulation of stories that we collect through out lives.  But to get to  the essence of who we are we need to strip away these stories,  That is what this piece is about.  Transcending the stories of our lives and even transcending the concept of time.

 

Sy Brandon: Lest We Forget by

Lest We Forget was inspired by the approach of Memorial Day 2006 but has evolved into a composition with a more encompassing vision. The work was originally conceived to depict the horrors of war and to pay tribute to those who served and gave their lives so that freedom can endure. The conception expanded to include the horrors of natural disasters, the destruction of lives and property, and ability of humans to endure and rebound from the depths of despair. In essence, the piece is about the fragility of human life and the triumph of the spirit. The composition is in three movements - I. Fury II. Devastation III. Triumph of the Spirit  


William Balcom: Trio for Clarinet, Violin, & Piano

In four movements I. Twist of Fate  II. Mazurka   III. Apotheosis    IV. Dithyramb

 

Sylvie Bodorová:  Vallja e malit - Dancing Mountain

Czech composer Sylvie Bodorová has written a trio for violin, clarinet and piano called  Vallja e malit - Dancing Mountain.  Written in 2017 it is in two movements Ballata & Danza and was recorded in 2018 by Trio Clavio - Lucie Soutorová Valčová, piano; Lucia Fulka Kopsová, violin; Jana Černohouzová, clarinet

 

Paul Schoenfield: Trio for Clarinet, Violin & Piano

This work combines blend of fragments of Hassidic folk melodies with the larger structure of the work. The first movement, Freylakh, is melodic and rhythmic pattern of one of the best-known dances among eastern European Jewry.  The second movement has known folk motifs associated with festive occasions. The third movement is titled Niggun is more mystical and deeply spiritual. The final movement, Kozatzke is a Russian Cossack dance often adopted by Jews at wedding celebrations. 

 

Galina Ustvolskaya: Trio for Violin, Clarinet and Piano

This was an early work written by her in 1949 when she was a student of Dmitri Shostakovich.  He was so taken by this work he proposed marriage to her (which she refused) and included a theme from the third movement of this work in two of his more personal works the Fifth Quartet in1952 and the song "Night" from his late Michelangelo Sonnets written in 1974. Ustvolskaya’s harmonic structure wanders between the tonal and the atonal.  But in addition, her rejection of easily identifiable musical forms separates her music from the typical structural and temporal references so familiar in western music.  The work is in three movements Espressiv, Dolce &  Energico.

 

Aram Khachaturian’s Trio for clarinet, violin & piano in G minor

Patsy Morita describes it in the following way: “In three movements, the trio displays Khachaturian's trademark use of crossrhythms, folk songs, and harmonies that could be thorny at some times or bittersweet at others. The opening Andante con dolore, molto espressione is a duet for the clarinet and violin, almost improvisational, with the piano accompaniment adding a complex layer seemingly in rhythmic conflict with the other instruments. The middle Allegro is very obviously modeled on folk dances, with rich color and precise rhythms. The Moderato finale is a set of variations on an Uzbekistani folk song, effectively contrasting the timbres of the instruments and showing off the clarinet as a folk instrument.
  • 8:00pm Contemporary Classics June 9, 2020 Music of the Violin, Clarinet & Piano Trio Part 1 by Violin, Clarinet & Piano Trios on Contemporary Classics
  • 8:03pm Octavio Vazquez: Trio for Violin, Clarinet and Piano "Zeitgeist" by Marcy Bacon, clarinet, Tigran Vardanyan, violin and Yi-Wen Chang, piano on Recorded live in Beston Hall, Glazer Music Center at Nazareth College (Rochester, NY), on Saturday February 29th, 2020 (Live)
  • 8:20pm Sy Brandon: Lest We Forget by Zodiac Trio on Zodiac Trio (Emeritus)
  • 8:34pm William Balcom: Trio for Clarinet, Violin, & Piano by The Verdehr Trio, Walter Verdehr, Elsa Ludewig-Verdehr & Gary Kirkpatrick on Making of a Medium, Vol. 10 (Crystal Records), 2000
  • 8:49pm Sylvie Bodorová: Vallja e malit (Dancing Mountain) by Trio Clavio on Trio Clavio (ArcoDiva Records), 2018
  • 9:00pm Contemporary Classics June 9, 2020 Music of the Violin, Clarinet & Piano Trio Part 2 by Violin, Clarinet & Piano on Contemporary Classics
  • 9:02pm Paul Schoenfield: Trio for Clarinet, Violin & Piano by Trio Clavio on Trio Clavio (ArcoDiva Records), 2018
  • 9:25pm Galina Ustvolskaya: Trio for Violin, Clarinet and Piano by Reinbert de Leeuw, Vera Beths & Harmen de Boer on Galina Ustvolskaya I (Remastered) (Hat Hut Records), 2017
  • 9:43pm Aram Khachaturian: Clarinet Trio by Eimer Trio on Khachaturian, A.I.: Trio for Clarinet, Violin and Piano - Stravinsky: Suite from Histoire Du Soldat - Keuris: Muziek - Bartok: Contrasts (Dynamic Records), 1994
Comments
You must be signed in to post comments.